There's nothing in The Guardian that audiences haven't previously been exposed to ad nauseam. Take a little of An Officer and a Gentleman and a little Top Gun and throw in some waves and underwater sequences, and you have The Guardian - only with less charismatic actors, more tame sex scenes, and a lot less energy. The director is Andrew Davis, who made The Fugitive more than a decade ago. It hardly seems possible that this lazy, sluggish, overlong production could be the work of the same man.
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